Knowth Kerbstone K103

Kerbstone K103 is one of the 127 kerbstones numbered in Professor George Eogan's record of the Knowth monument. It is located on the northern side of the great passage tomb mound.

The Megalithic Art of the Passage Tombs at Knowth, Co. Meath

Excavations at Knowth Volume 7: The Megalithic Art of the Passage Tombs at Knowth, Co. Meath

The complex of passage tombs at Knowth is dated c. 3200–2900 BC, and this volume deals with one of the most significant aspects of the site. It presents a complete catalogue of the 390 recorded carved stones at Knowth, through descriptions, drawings and photographs.

Six main styles of art have been identified and these are discussed, together with the motifs and techniques employed. The Knowth carvings constitute c. 46% of all such art in Ireland, and the volume sets the Knowth art in the context of the other Irish carvings, those in western and northern Britain, and also the somewhat earlier art found on megalithic tombs in Atlantic Europe.

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Knowth Stone Age passage tomb

Among the surviving kerbstones at Knowth, K103 contributes to the largest open-air gallery of Neolithic art in western Europe. Medieval texts and local folklore associate Knowth with the royal cemetery of the Boyne and with ancestral powers of the land. The concentration of labour required to build Brú na Bóinne implies strong leadership and shared belief among Neolithic communities.

Later seasons of excavation exposed nineteen smaller tombs clustered around the main mound, along with pottery, house foundations and flint tools from an earlier Neolithic phase of settlement in the area, perhaps dating to around 4000 BC.

Inside the eastern tomb, the carved granite basin in the right-hand recess is among the finest Neolithic artefacts in Ireland. The block is so massive that the chamber appears to have been constructed around the basin rather than the reverse.

Activity at Knowth did not end with the Neolithic builders. The mound remained important through the Bronze Age and Iron Age, and was reused in medieval times, showing how long the monument kept its place in the life and memory of the Boyne Valley.